Twang – or excessive nasalization – lack of which is corrected with great difficulty, especially if the singer was singing for quite some time 'in the nose. " Snuffles can be different origins. It is associated with malfunctioning soft palate due to various reasons. If twang is not due to organic causes (hypotension, muscle paresis or soft palate), its origin is functional in nature: an imitation of a nasal voice, stretching his neck, tension of facial muscles, defective work of breathing when singing, the instability in the sensation of singing high position, etc. From the twang is easy get rid of, if it manifested itself at an early stage of learning and singing at an early stage of practice (in untrained singers).
But if the skill twang hold, then remove it becomes time-consuming process. How does the volume of the voice from the opening of the mouth? Loudness – subjective concept. It depends primarily on the strength of voice and power to vote, in turn, depends on the correct work of breathing during singing, and the development of the respiratory muscles support from the resonator, used by the singer and, more generally, freedom of sound. Power of vote is in direct proportion to the force, which is ready to breath a singer. Of course, the singer can achieve on its own desired voice volume, but if his breath unprepared, there will be a boost. Therefore, you first need to build resilience, flexibility and strength of respiratory support, and then increase the dynamics of sound.