The public’s appreciatoin of the martial arts is very limited, even when compared to video games, gossip, football or wrestling. This is because there are plenty of magazines dealing with these issues. But yes, if there have been serious publications on these issues and here I will talk a little about them: Black belt: American Journal of only dealing with martial arts has existed since the early 60’s still one of the oldest and most especially respected, founded by Mitoshi Uyehara, its size and thickness compared to that of “Vanities” and has the backing of virtually all major U.S. associations, providing it with great resources, philanthropy, advertising and above all economic. Comes in English and sometimes come to our country often months late but really worth it. Han interviewed almost all renowned teachers who stand in the U.S.
and personalities like Steven Seagal, Jeff Speakman, Dan Inosanto, the Gracie brothers, Frank Dux, etc. Black belt: not to be confused with the former, is also called “Budo International” in other countries, the Spanish publication and its editor is the aristocrat of the martial arts Alfredo Tucci. Besides being also one of the oldest is also the most respected and similar in size to that of black belt. Try always broad themes of martial arts, both Eastern and Western, Mexico arrives several months late as well.
But beware of smell, but better – you know about the preferences of .Ne restrict your imagination only "substantive" gifts. Pleasant greeting will be in the form of altered, but recognizable songs. You can even try to record with family and friends drive a pair of ten- festive hits. Words, music or chords can be found on the Internet. Do not pay attention if the lyrics are not too happy – you rewrite it anyway. 
The espionage also has had its privileged place since in the decade of the 30, the adventures of Sherlock Holmes (1939) would portray the sententious and popular phrase " Elementary, my dear Watson". And nobody will already be able to be come off the terror of Drcula (1931) at the moment that enunciates " Escchalos. Creatures at night. What music crean". Of the decade of the 70 to the present time the cinema has been inclined in the last decades concerning phrases. For example, still we listened the colonel interpreted by Michael Sheen to speak of which " " enchants the scent to the Napalm in the morning; in mythical Apocalypse Now. 
The cinema has been, is and will be its script together with an impeccable interpretation on the part of its actors, the suitable scene and an unforgettable sound track. But which are the phrases what have extended over the films sent that them to the fame? Nobody will be able to forget the sententious phrase " I am going to him to make a supply that is not going to be able rechazar" of the Godfather First Part enunciated by a magnificent Marlon brando that will remain us in the memory like the best gangster of all the history of the cinema. Coppola knew to remove the potential from this great actor and, of step, to leave one of the famous phrases that have become hymns. But, How many they can more enter this category of principles of the history of the cinema more acclaimed? Phrases of the classic cinema and the time sea bream of Hollywood If Michael Curtiz raised the head would astonish of which the famous phrases of his " Casablanca" more they are known than the own film. " Tcala again, Sam" one has become one of the taquilleras phrases along with " Always us it will be Pars" , that touching goodbye that Humpfrey Bogart gives to the unforgettable Ingrid Bergman him. And what there is of that phrase " She is alive, It lives! " Somebody can remember the most romantic Frankenstein for all time? In the case of another type of films it is difficult to forget to Holly Galithly saying that one that " In the life it is had to know of todo" or that other of With skirts and to the crazy person in whom full " Nobody is perfecto" it made clear that the love does not know barriers and that the tolerance is a gift. Also, O' Scarlet; Hara shouted to four winds, oyendo all over the globe that " I put to God by witness of which never I will return to pass hambre" in Which the wind took.
The professor when stimulating its pupil to the search for the knowledge, and he will use them to these as instruments to modify its social condition, giving to continuity its studies. For Oliveira (2004, p.105): ' ' The age and the social and cultural experience of the educandos are ignored, remaining itself in these considered the infantile logic of the resumes destined to the children who frequent the school regular' '. When if works with pupils of the EJA the professor when making its curricular planning, needs to think to who? Why? so that? We know that each content, each knowledge and ability have its time to be taught. Each professor (a) knows that, depending on the series or bimaster, he will have to privilege definitive contents in the hour to prepare its lesson, and depending on the diversity of the pupils and group he will have to program diversified times of education. (MIGUEL G. ARRAYO, 2004, P.210) Thus the professor will know which the contents, artistic activities that can be developed and be applied these pupils. 5.