The film depicts a group that favors gay friendship and camaraderie, although at times the footage some characters reflect on their sexual condition with some self-pity. The film Cabaret (1972) directed by (Bob Fosse) went a step further by showing gay Michael York as a sensible and without feelings of guilt toward their sexuality.Despite these exceptions and homosexuality being able to freely show, films like Point limit: zero (1971) and The Odd Couple of Cops (1974) restate the old stereotype of gay men offenders are eventually executed by the heterosexual hero. Already crossed the threshold of 80 movies as Windows (1980), The Fan (1981) and to the game, (1980) emphasized the vision of lesbians and gay men as crazed murderers and unscrupulous. The latter film, whose plot was about a serial murderer who locate their victims instead of leather environment, achieved some hitherto unpublished: homosexuals, tired of seeing Hollywood films still portrayed negatively, and aware of the this influence in the collective imagination of society, mass protests organized by several U.S. cities with the goal to halt its distribution.Finally the film A hunt was removed from the displays and demonstrations were used for the film industry to become aware of LGBT fed on the bad image that the film gave them. To “fix” in 1982, would premiere the comedy police More than colleagues (1982), starring Ryan O’Neal and John Hurt. Was launched in 1986 Parting Glances, the first film actor Steve Buscemi, who plays a gay musician carrying the AIDS virus. This was the first production fully address this issue, several years before the best-known later films such as And the Band Played On and Philadelphia. There was a time of incredible censorship, no positive portrayals of gays and lesbians, but actual images of gays and lesbians. Gays and lesbians have lived to face ostracism, loving and surviving. There are many heroic stories real. Jan Oxemberg, film director.From this moment on film for a broad audience of Hollywood began to produce films dealing with respect for homosexuals. The pioneers were two, both shot in 1982, Making Love (Arthur Hiller), portraying a relationship between two men and Personal Best (Robert Towne), which revolved around the love between women. In the first, a married doctor experiences a crisis in her sexuality and begins a love story with a gay writer played by Harry Hamlin. The second one narrates the romance of two elite athletes played by Mariel Hemingway and Patrice Donnelly which is truncated to start one a heterosexual relationship. In this time and even early ’90s, Hollywood produced several films in which characters and gay relationships, especially lesbian, are represented in different ways.If Silkwood (Mike Nichols, 1983) the character played by Cher live their homosexuality openly, in such films as The Color Purple (Steven Spielberg, 1985), Fried Green Tomatoes (John Avnet, 1992) and The Silence of the Lambs (Jonathan Demme, 1992) lesbian characters are not displayed as such in comparison to the novels on which they rely. Another representation of lesbianism in this period is in Basic Instinct (Paul Verhoeven, 1992) , with which there were repeated expressions of U.S. LGBT associations to present the homosexual character played by Sharon Stone as an assassin.Also the deep friendship between the protagonists in Thelma and Louise (Ridley Scott, 1991) has often been interpreted as a lesbian relationship, The 1993 film Philadelphia was the second big-budget and famous actors to tackle the issue of AIDS (after And the Band Played On) in the U.S., and also marks a change in the early 1990s in Hollywood films related to the more realistic representation of homosexuals.